The charshaf may also be made of
two pieces of cloth in order to secure a better fit, and although the garb
might seem to defy artistic arrangement and effect, it is often very becoming
and graceful It would appear that the charkha was the original dress of Turkish
women, with the important difference from the present fashion that the veil
could not be thrown back, and was furnished with two holes for the eyes, as
among Moslem women to-day in Persia and India.
The yashmak, it is said, came into vogue at
the time of the Conquest, being an adaptation of the veil worn then by women of
the Christian peoples of the land. Its abandonment for the sake of a style
which permits greater freedom is a sign of progress. But the change, which was
made some thirty years ago, roused considerable opposition. Merchants in the
bazaars objected to it, because a charkha required less material to be made up
than a feuded, and consequently injured trade.
Others found fault with it simply because
it was an innovation; while others feared that when worn with the veil down it
might facilitate disguise in carrying on social or political intrigues. Nay,
imperial tirades denounced and forbade the new mode. But all was in vain, for
even in Turkey it is possible for women to have their own way.
Turkish hanuman reclined
Nor is it only in their out-door dress that
Turkish women have introduced alterations. They have done so likewise in their
dress when at home. The baggy trousers, the embroidered vest and jacket, which
constituted the costume in which a Turkish hanuman reclined upon her divan, have
been replaced, in the progressive section of Turkish female society, by
garments after European fashions.
A Turkish bride belonging to a wealthy
family wears a wedding dress like that which adorns a young lady under similar
circumstances in Western lands, the only difference being that the former
allows her hair to hang down, and decorates it with long narrow streamers of
tinsel, pieces of which she presents to her young friends for good luck.
Elegant tea-gowns and the latest Parisian
robes are worn in wealthy harems. Turkish ladies, indeed, have yet to adopt the
low-necked dress, but, not to be altogether behind the times, they make their
servant-maids don that attire on great occasions. When the maids are
dark-skinned daughters of Africa, the effect is not flattering to the costume.
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